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NEPAD and African Development Policy. It has been argued that NEPAD “constitutes the creative reading list, most important advance in African development policy during the last four decades” (Hope, 2002). Do you agree? In 2001 the New Partnership for Africa’s Development (NEPAD) was launched in Abuja. Hospitality! The goals of this nascent organisation were far-reaching and extensive. They included: the eradication of poverty, the production of creative writing reading list, sustainable growth, the reversing of African marginalisation and dissertation, the empowerment of women and minorities. The closing lines of the organisation’s policy framework encompass these aims stating that ‘in fulfilling its promise, this agenda must give hope to the emaciated African child that the 21st century is indeed Africa’s century.’[1] NEPAD enshrined the principles of continued integration of African states, partnership within Africa and with those outside of the continent and creative writing list, the fulfilling of the a letter, Millennium Development Goals (MDGs). In 2010 it became a technical arm of the new African Union (AU)[2] and creative, has launched the African Peer Review Mechanism (APRM), which is an no essay required inspection of good governance and reading list, democracy in volunteer states by other African nations.

At present it has 29 members (over 70% of all African states) including Nigeria, Rwanda, Algeria, Congo and Egypt.[3] NEPAD and its associated programs have been widely accepted among African states, regional and international organisations and academics. Indeed, K. R. Hope argues that NEPAD ‘constitutes the most important advance in African development policy during the for scholarship, last four decades. Undoubtedly it is an ambitious programme and represents perhaps one last hope for creative reading list, Africa to reverse its slide into irrelevance.’[4] However, critiques of NEPAD, its programs and philosophy have been levelled from many different sides. A Letter! Critics argue that NEPAD is nothing radically new and is in fact, as Henning Melber argues, simply ‘old wine in new bottles,’[5] a new face on old policies and ideas. It is seen as overly westernised and creative list, pursuing a western agenda and that it often fails to understand the realities of the hospitality, political systems it encounters. List! Others argue that NEPAD was set up by political elites whose pasts do not mirror the aims of democracy and good governance that they espouse (e.g. Hosni Mubarak and Thabo Mbeki), and that it was created with little consultation and partnership. Political economists argue that the growth required for the development targets set by NEPAD is over-ambitious in the current climate. This essay will discuss the issues facing NEPAD and ascertain whether the New Partnership for Africa’s Development is indeed ‘the most important advance in African development policy during the last four decades.’[6] Attention shall be drawn throughout to the positive effects of requirements, NEPAD and creative, the importance of its creation and continued involvement n African development policy.

However, this will be contrasted with some of the negative objections raised, including those outlined above, to provide a fair and balanced assessment of the Partnership’s importance to the continent. Perhaps one of the most important aspects of the hospitality, New Partnership for writing reading list, Africa’s Development is that it is an African organisation, founded and run by African leaders. Therefore, it demonstrates a newfound need and ability for Africans to help themselves rather than rely on outside nations and organisations such as the UN. Essay Copd! Indeed, the framework document of NEPAD states ‘This New Partnership for creative reading, Africa’s Development is a pledge by no essay required, African leaders, based on writing a common vision and a firm and scholarships no essay, shared conviction … the Programme is creative writing reading list, anchored on copd nursing the determination of list, Africans to extricate themselves and the continent from the book anthem essays, malaise of underdevelopment and exclusion in a globalising world.’[7] Even its critics among civil society groups agree that the ideas of ‘self reliance’ and a ‘focus on “African ownership and creative writing, management”’ are huge positives brought by NEPAD.[8] Indeed, Gottschalk and Schmidt go even further arguing that ‘both NEPAD and the AU can be regarded as unprecedented developments in Africa, whether Sub-Saharan or North. They are continent-wide, indigenous initiatives providing the continent with a vision for Africa in copd, the twenty-first century.’[9] These ideas push the flourishing idea of an ‘African Renaissance’ in which (as in 15 th Century Europe) Africa will experience a cultural rebirth, with a spread of creative writing list, democracy and emancipation led by a renewed focus on African values, culture and glorious past and with a focus on greater economic and scientific success.

From this point of view, NEPAD represents one of the first real steps in the African journey from irrelevance, conflict, neo-patrimonialism, aid dependency and poverty to a new, African-led future of essay copd nursing, integration, democracy and economic control. Perhaps the best practical example of NEPAD’s implementation of these ideals can be seen in the African Peer Review Mechanism (APRM). The APRM demonstrates the direct ability of African states and individuals to police and inspect other African nations. In theory the APRM allows for creative writing, the development of good governance and democracy within African states without the involvement of foreign countries, donor states and international organisations, which had often previously been necessary. The mechanism also provides a new form of transparent accountability on African states governance. Through the use of fully published reports by individuals with high moral accountability (such as church leaders and ex-heads of state) and impartiality it forces the states which volunteer for the process to be completely open about the states political system and record of good governance. APRM is of application, often described as one of NEPAD’s most radical proposals[10] and it has been met with both cynicism and creative writing list, criticism. The APRM has been, in the words of Makamunana and Kuye, ‘lampooned by critics for lacking teeth … the APRM is a non-punitive, non-adversarial process that assumes … that participating countries will act in good faith.’[11] The Mechanism itself has no ability to enforce its findings or recommendations and, in fact, leaves it up to hospitality dissertation, governments themselves to do so.

If the political will to do so is not forthcoming then the APRM calls on other governments and donor states to push, with all reasonable diplomatic means, for the objectives to be met in the state concerned.[12] There is little detail and it is left to the enforcers (with all their political motivations) to decide the particular enforcements. Creative! This could result in uq thesis requirements, international contention and discord, undermining all co-operative undertakings in Africa.[13] Another of the major arguments against the APRM is that the creative writing reading list, self-assessment format is dissertation, inherently flawed. By allowing states to assess their own political problems the creative reading, process opens up the dilemma that states will fail to answer correctly or in full, either because they do not wish to divulge some political tensions or failures or because they themselves cannot see them. Eduard Jordaan provides an excellent example in his critique of the essay copd nursing, Rwandan self-assessment. He argues that in writing list, a far advanced stage of Rwanda’s self-assessment report the hospitality, Rwandan government had made little or no mention of some of the severest problems afflicting the state. Reading List! The report is also heavily biased towards the Rwandan government with opposition voices mostly marginalised within it creating a skewed favourable view of the governance of Rwanda.[14] Jordaan’s article draws on two major problems within both the APRM and NEPAD as a whole. The first is a relatively obvious one: ‘Accession to the APRM requires a commitment from a letter of application governments to identify their own failures with brutal honesty, a rare occurrence indeed. Perhaps it should therefore come as little surprise that Rwanda has succumbed to a self-protective impulse in the self-assessment phase of the peer review process.’[15] The second problem identified is much more complicated.

Jordaan identifies that the creative reading list, majority of African states run on a neopatrimonialist system. In such a system a pyramid is formed, containing numerous dyads of interaction between service providers and service users. For example, a businessman may have ‘his customs man’ with whom he exchanges not only uq thesis requirements money for a better service or to writing reading list, waive certain legalities but also gifts and friendship.[16] This system is anthem essays, entirely at reading list odds with NEPAD’s aspirations to anthem, democracy, public responsibility and good governance. ‘It therefore appears as though the creative list, proper implementation of NEPAD’s goals would pose an acute threat to the privileged tenure of Africa’s leaders, despite their vociferous support of essays, NEPAD and the APRM.’[17] Arguably, therefore, while the APRM (as a representative of NEPAD as a whole) is excellent in theory, it is beset by certain problems which leads to the conclusion that NEPAD may not be as effective as a force in African development as some of its supporters such as Hope would believe. The criticism does not stop at the APRM, however, and extends to NEPAD itself. Creative Writing Reading! Firstly, NEPAD is essay nursing, seen as another in a long line of failed attempts to deal with the continent’s problems.

Indeed, the ideas of pan-Africanism (which NEPAD and the AU embody) stretch back a long way; famously in writing, 1963 Ghanaian President Kwame Nkrumah called for a United States of Africa, five years after the Treaty of Rome created the European Economic Community.[18] No other state leader backed the idea, which included huge government and military integration.[19] Critics also point to the later failure of the Organisation of African Unity as proof that ‘institutional frameworks of African integration attempted over the last four decades or so were chronically under-resourced and uq thesis requirements, politically marginalized.’[20] Gottschalk and Schmidt go on to argue that ‘we need to ask whether the foundation of reading, NEPAD and the AU improves the chances of dissertation, a new era dawning for the continent, or whether the well-known gap in Africa between great expectations and high-flown rhetoric on the one hand, and low capabilities and inertia on the other, can be narrowed.’ The failure of previous attempts at reading pan-African co-operation has damaged the public perception within Africa of what such organizations can achieve. Anthem! Overshadowing this is the historic mistrust of creative reading, giving up power and the post-colonialist edifying of ideas of sovereignty and the nation-state. It is hard to see how NEPAD ‘constitutes the most important advance in African development policy during the last four decades’ when many Africans wait for it to fail as its predecessors did, and mistrust its intentions as part of the AU. A second issue is also prevalent when discussing the African view of NEPAD: that of its westernised image. Hospitality! Despite its pan-African beginnings, NEPAD has be seen as a Western wolf in African sheep’s clothing; an creative writing reading organisation inspired by, and promoting, Western values, philosophies and economics. It also has major support and engagement from western international organisations such as the EU, IMF and the UN. In return for the promotion of the westernised values of no essay required, good governance, free trade and integration, these ‘development partners’ would support NEPAD financially and politically.[21] However, the idea of a New Partnership between the developed world and creative reading, Africa was essentially flawed, the differences in power and control between the donor states and organisations of the essay, West and the poor African states is just too immense. Indeed, as Ian Taylor points out, ‘the use of the supposedly equalising and leveling word “partnership” to portray and describe “development relationships” was actually an endeavour to disavow and obscure European paternalism, with its roots firmly embedded in the colonial experience.’[22] Developing on Taylor’s line of argument, Kunle Amuwo argues that, rather than development, the Western historic paradigm in Africa is one of acquisition. Over the writing, past three centuries the slave trade, colonialism and neo-colonialist globalisation have removed the ability of Africa to decide its own fate and has subjugated it, so that its only role is the production of primary goods and raw materials for the global market.[23] The article goes on nursing to argue that NEPAD fails to reading list, account for the forces of (neo) colonialism as an instrument of Africa’s current underdevelopment and its promotion of liberal Western economic values is scholarships required, simply a continuation of Western capitalist control of Africa’s development potential.[24] Indeed, ‘the discourse [of ‘partnerships’] is a rhetorical device to camouflage material processes of exploitation and unequal exchange.’[25] The continuing lack of equality in economic trade between Africa and the developed world, and the neo-colonialist aspect in the globalisation by the West and creative reading, China mean that the promise of free trade and ‘partnership’ bringing African development and economic success is laughably hollow. NEPAD’s political objectives receive similar criticism. Requirements! The western understanding of democracy, as promoted by list, NEPAD, is one of no essay, multi-party elections and full suffrage on a national scale.

Not only does this perception ignore all African cultural and creative writing reading, socio-political history (as with the economic issues) but it also fails to determine the place that neo-patrimonialist representation and political capital has within many African national systems of government. In many cases, elections are fought between various factions of elites that have been politically powerful for decades and in quite a few countries the government has stayed in through patrimonialism, authoritarian control, shrewd politics and even violence. Only in a few cases – Mauritius, Cape Verde, Senegal and Ghana for example – have multi-party elections created a positive political atmosphere in which good governance and accountability can be discussed, as NEPAD believes it should.[26] On the other hand, others have not been as successful; the experiences of countries such as Zimbabwe, Zambia, Congo, Cote d’Ivoire and Kenya ‘do not augur well for the hypothesis that multi-party elections are a sound basis for political and economic improvements that are required if the anthem, condition of ordinary Africans is to improve.’[27] Indeed as Patrick Chabal goes on creative writing list to argue, ‘the notion of no essay required, democratization (whatever it may, in practice, mean) would lead ipso facto to economic growth flies in the face of all available historical evidence. Creative Writing! Democracy as we know it in the West is the essay nursing, outcome of, not the pre-condition for, economic development … To assume therefore that multi-party election competition will, in and of itself, make development more likely is to be guilty of creative list, wishful thinking.’[28] Further criticism of hospitality dissertation, NEPAD comes from civil society campaigners. As well as supporting the argument against writing list the economic disadvantages of anthem essays, NEPAD’s policies, they believe that the way NEPAD was created is also inherently wrong. A report by the Southern and Eastern African Trade Information and Negotiations Institute (SEATINI) puts forward the case that NEPAD neglected the people of Africa during the consultation phase of its creation; instead the creative writing, five heads of state who created NEPAD (those of South Africa, Nigeria, Senegal, Algeria and Egypt) went to the international arena and to analysing opportunities, the heads of creative writing reading, ‘private capital’.[29] The report argues that ‘although NEPAD talks about “ownership” of the process by the African people, and indeed exhorts the people to mobilise themselves behind NEPAD, they have not been consulted in the process.’[30] SEATINI argues that a better strategy for dissertation, African development would be one based on the needs of the people rather than on the basis of creative reading, international competition and economics – ‘the practical effect of NEPAD would be to uq thesis, surrender the human rights of the creative reading list, people of Africa (their rights to food, water, energy, etc.) to the whims of a volatile and untrustworthy global capital.’[31]

It is also true that the economic goals which NEPAD deems necessary for hospitality, the successful prosecution of writing, its aims are seen by many as over-ambitious. The Partnership argues that national growth rates of hospitality dissertation, 6-7% are not only feasible but also necessary for the requirements in education, health, governance etc. to be met. In the three years prior to the global economic recession of creative writing reading, 2009 this was perfectly possible, with average growth rates of over 6% with some countries even reaching 8-9% GDP growth. However, after the collapse of global markets Africa’s growth collapsed by up to 8% to negative 1% (in southern Africa), with ten out of fifty countries reporting negative growth.[32] While some states continued to accrue reasonably high growth rates and things have improved since 2009, NEPAD’s requirement of 6-7% seems distant. International aid is also a major necessity for NEPAD’s operations. According to reports the Partnership requires 12% of GDP per annum or around $64 billion.[33] Much of this will, in the short and medium term, come from international aid and debt relief coupled with greater freedom in hospitality, economic trade. Once again this is perhaps an unrealistic aim when many countries are cutting international aid and development budgets to cope with the economic downturn. The UK is a major donor in Africa and provides the highest proportion (14% from 2011-13) of the African Development Fund.[34] While the UK Overseas Development Budget has actually increased in recent years (to ?7,356 million for 2009/10) with a total of ?3,392 million used in Africa,[35] it is not all good news for creative list, the continent. The UK is cutting the uq thesis requirements, number of countries it provides aid to reading list, from 43 to 27 with the removal of essays, help to Angola, Burundi, Cameroon, Gambia, Lesotho and creative writing, Niger.[36] At the same time, 30% of UK aid is being transferred to help unstable regions and lessen or remove security threats to Britain.[37] While, to a letter for scholarship, some extent, this supports NEPAD’s goals through developing peace and security, it also entails a shift of aid to writing reading list, countries such as Afghanistan and a loss of direct aid for governance and the promotion of equality and freedom. Therefore, once again it is requirements, difficult to creative writing list, see how the requirements of NEPAD are going to be met in copd nursing, an increasingly cash-strapped and security-focused world.

In conclusion, therefore, the creative reading, New Partnership for Africa’s Development has a set of nursing, ambitious forward-thinking goals and ideals and is an creative reading excellent example of what Africans can do when they come together to help the continent out of the mire of its history and dependence. It is book anthem, recognised by most as a hugely important advance in the struggle for pan-African co-operation and inspires all that is creative list, best about the new African Renaissance. Its practical applications, such as the African Peer Review Mechanism, are well received and accepted and show even more that Africa can take control of its own development and governance. Essay! However, NEPAD and the APRM have also attracted a lot of scepticism and criticism. The APRM has been called a flawed system – in that it relies far too heavily on the good intentions of the governments concerned and fails to comprehend the extent to which neo-patrimonialism is ingrained into African political society. Reading List! It is also seen as a failure for lacking the “teeth” to enforce its findings and is forced to fall back on donor states and neighbours to apply pressure. NEPAD, too, comes under huge criticism; firstly as it is seen as another in a long line of failed good intentions and essays, carries with it a certain amount of public mistrust. Secondly, NEPAD is seen as overly westernised and, from a post-colonialist point of view, can even be seen as an agent of western neo-colonialism due to the continuing inequalities and injustices in the free trade model the Partnership espouses. Thirdly, its political aspiration that pluralist electoral competition will inspire development and accountability flies in the face of a large amount of evidence within Africa and in the history of democracy more broadly. Civil society campaigners provide further issues with NEPAD, as they argue that it is driven by creative writing reading list, political elites with little co-operation or consultation with ordinary African people.

Lastly, the economic growth and uq thesis requirements, international aid NEPAD requires are over-ambitious and entirely at odds with the current economic climate. Therefore, while NEPAD’s aspirations and ideals are entirely laudable and the control it gives Africa over its own future is writing reading, a huge step in the right direction, its failures and the issues raised lead to the conclusion that to hospitality, call the Partnership ‘the most important advance in African development policy during the last four decades’ is an creative reading amplification of the true power and future influence that NEPAD will hold in Africa. [1] NEPAD – ‘New Partnership for Africa’s Development’ policy framework, created in Abuja, Nigeria (2001) – http://www.nepad.org/system/files/framework_0.pdf (accessed 13/4/11) [4] Hope, K. R. ‘From Crisis to Renewal: Towards a Successful Implementation of the New Partnership for dissertation, Africa’s Development’ African Affairs Vol. Creative Writing Reading! 101 (2002) pp 387-402. [5] Melber, H. Anthem Essays! ‘The New Partnership for Africa’s Development: Old Wine in New Bottles?’ Norwegian Institute of International Affairs: Forum for creative reading, Development Studies Vol. 29 No. 1 (2002) pp 186-211.

[6] Hope, K. R. ‘From Crisis to Renewal’ African Affairs Vol. 101 (2002) pp 387-402. [7] NEPAD – ‘New Partnership for Africa’s Development’ policy framework, created in Abuja, Nigeria (2001) – http://www.nepad.org/system/files/framework_0.pdf (accessed 13/4/11) [8] Tandon, Y. ‘On NEPAD: Civil Society Perspectives’ SEATINI Bulletin Vol. 5 No. 4 (Feb 2002) [9] Gottschalk, K. and Schmidt, S ‘The African Union and the New Partnership for Africa’s Development: Strong Institutions for Weak States? International Politik und Gesselshaft (2004) pp 138-158. [10] For example see Jordaan, E. ‘Inadequately Self-Critical: Rwanda’s Self Assessment for the Peer Review Mechanism’ African Affairs Vol. 105 No. 420 (2006) pp 333-351. [11] Mukamunana, R. and Kuye, J. O. ‘Revisiting the African Peer Review Mechanism: the Case for dissertation, Leadership and Good Governance in Africa’ Journal of Public Administration Vol. 40, No.

4.1 (Dec 2005) pp 590-604. [12] APRM – African Peer Review Mechanism – Base Document – African Peer Review Mechanism (base document)_6b4ce8caec8008da47acc7071d42135c.pdf. [13] Mukamunana, R. and Kuye, J. O. ‘Revisiting the African Peer Review Mechanism’ Journal of Public Administration (Dec 2005) pp 590-604. [14] Jordaan, E. Writing Reading List! ‘Inadequately Self-Critical African Affairs (2006) pp 333-351. [15] Jordaan, E. Marketing! ‘Inadequately Self-Critical African Affairs (2006) pp 333-351. [16] Blundo, G. and creative writing list, De Sardan J. P. O. ‘Everyday Corruption on West Africa’ in Blundo, G. and De Sardan J. P. O. (eds) Everyday Corruption and the State: Citizens and Public Office in Africa (London: Zed; 2005) pp 82.

[17] Jordaan, E. ‘Inadequately Self-Critical’ African Affairs (2006) pp 333-351. [18] Gottschalk, K. and Schmidt, S ‘The African Union and the New Partnership for Africa’s Development’ International Politik und Gesellschaft (2004) pp 138-158. [19] Gottschalk, K. and Schmidt, S ‘The African Union and the New Partnership for Africa’s Development’ International Politik und Gesellschaft (2004) pp 138-158. [20] Gottschalk, K. and Schmidt, S ‘The African Union and the New Partnership for Africa’s Development’ International Politik und Gesellschaft (2004) pp 138-158. [21] Taylor, I. ‘Governance and Relations between the a letter of application for scholarship, European Union and Africa: the Case of NEPAD’ Third World Quarterly Vol. 31 No. 1 (2010) pp 51-67. [22] Taylor, I. ‘Governance and Relations’ Third World Quarterly (2010) pp 51-67. [23] Akuwo, K. ‘Globalisation, NEPAD and the Governance Question in Africa’ African Studies Quarterly Vol. 6 No.3 (2002) pp 65-82. [24] Akuwo, K. ‘Globalisation, NEPAD and writing list, the Governance Question in Africa’ African Studies Quarterly Vol.

6 No.3 (2002) pp 65-82. [25] Taylor, I. ‘Governance and dissertation, Relations’ Third World Quarterly (2010) pp 51-67. [26] Chabal, P. ‘The Quest for Good Government and Development in Africa: Is NEPAD the Answer?’ International Affairs Vol. 78 No. 3 (2002) pp 447-462. [27] Chabal, P. Writing Reading List! ‘The Quest for Good Government and Development in Africa: Is NEPAD the Answer?’ International Affairs Vol. 78 No. 3 (2002) pp 447-462. [28] Chabal, P. ‘The Quest for Good Government and analysing opportunities, Development in Africa: Is NEPAD the Answer?’ International Affairs Vol. Creative List! 78 No. 3 (2002) pp 447-462.

[29] Tandon, Y. ‘On NEPAD: Civil Society Perspectives’ SEATINI Bulletin Vol. 5 No. 4 (Feb 2002) [30] Tandon, Y. ‘On NEPAD: Civil Society Perspectives’ SEATINI Bulletin Vol. 5 No. 4 (Feb 2002) [31] Tandon, Y. ‘On NEPAD: Civil Society Perspectives’ SEATINI Bulletin Vol.

5 No. 4 (Feb 2002) [33] Loxley, J. ‘Imperialism and Economic Reform in Africa: What’s New About the New Partnership for Africa’s Development?’ Review of Africa’s Political Economy Vol. 30 No. 95 (Mar 2003) pp 119-128. [34] UK Department for International Development ‘Multilateral Aid Review of the marketing opportunities, African Development Fund’ (Feb 2011) [35] UK Department for International Development and UK National Statistics ‘Statistics on International Development 2010’ (Oct 2010) [36] UK Department for International Development ‘UK Aid: Changing Lives, Delivering Results’ aid review summery document (Mar 2011) [37] UK Department for International Development ‘UK Aid: Changing Lives, Delivering Results’ aid review summery document (Mar 2011) Blundo, G. and De Sardan J. P. Writing Reading List! O. ‘Everyday Corruption on West Africa’ in Blundo, G. and De Sardan J. P. O. (eds) Everyday Corruption and the State: Citizens and Public Office in essays, Africa (London: Zed; 2005) Akuwo, K. ‘Globalisation, NEPAD and the Governance Question in creative reading list, Africa’ African Studies Quarterly Vol. 6 No.3 (2002) pp 65-82 Chabal, P. ‘The Quest for Good Government and Development in Africa: Is NEPAD the Answer?’ International Affairs Vol. 78 No. 3 (2002) pp 447-462 Gottschalk, K. and Schmidt, S ‘The African Union and the New Partnership for requirements, Africa’s Development: Strong Institutions for Weak States? International Politik und Gesselshaft (2004) pp 138-158 Hope, K. R. Creative Reading! ‘From Crisis to Renewal: Towards a Successful Implementation of the requirements, New Partnership for Africa’s Development’ African Affairs Vol.

101 (2002) pp 387-402 Jordaan, E. ‘Inadequately Self-Critical: Rwanda’s Self Assessment for the Peer Review Mechanism’ African Affairs Vol. 105 No. Creative Writing! 420 (2006) pp 333-351 Loxley, J. Scholarships No Essay! ‘Imperialism and creative reading list, Economic Reform in a letter, Africa: What’s New About the New Partnership for reading list, Africa’s Development?’ Review of Africa’s Political Economy Vol. 30 No. 95 (Mar 2003) pp 119-128 Melber, H. ‘The New Partnership for Africa’s Development: Old Wine in New Bottles?’ Norwegian Institute of International Affairs: Forum for Development Studies Vol. 29 No. 1 (2002) pp 186-211 Mukamunana, R. and Kuye, J. O. ‘Revisiting the African Peer Review Mechanism: the Case for essay copd, Leadership and Good Governance in Africa’ Journal of Public Administration Vol. 40, No. 4.1 (Dec 2005) pp 590-604 Taylor, I. ‘Governance and Relations between the creative writing list, European Union and Africa: the Case of NEPAD’ Third World Quarterly Vol. 31 No. 1 (2010) pp 51-67 Tandon, Y. ‘On NEPAD: Civil Society Perspectives’ SEATINI Bulletin Vol.

5 No. 4 (Feb 2002) UK Department for International Development ‘Multilateral Aid Review of the African Development Fund’ (Feb 2011) UK Department for International Development and book anthem, UK National Statistics ‘Statistics on International Development 2010’ (Oct 2010) UK Department for International Development ‘UK Aid: Changing Lives, Delivering Results’ aid review summery document (Mar 2011) African Economic Outlook – Economic Growth Remains Uneven Within Africa – http://www.africaneconomicoutlook.org/en/outlook/macroeconomic-situation-and-prospects/african-economies-will-gain-strength/economic-growth-remains/ NEPAD – APRM – African Peer Review Mechanism – Base Document – African Peer Review Mechanism (base document)_6b4ce8caec8008da47acc7071d42135c.pdf NEPAD – APRM – Participating Countries – http://www.aprm-international.org/index.htm NEPAD – History – http://www.nepad.org/history NEPAD – ‘New Partnership for Africa’s Development’ policy framework, created in creative writing list, Abuja, Nigeria (2001) – http://www.nepad.org/system/files/framework_0.pdf. All content on copd nursing the website is published under the following Creative Commons License. Before you download your free e-book, please consider donating to support open access publishing. E-IR is an independent non-profit publisher run by an all volunteer team. Your donations allow us to invest in new open access titles and pay our bandwidth bills to ensure we keep our existing titles free to view.

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This recommendation letter for employment is for the position of an accountant and is written by a person to whom the candidate directly reported during the tenure of his employment. The letters details his role in the organization and reading list how efficiently he managed emergency situations without losing his presence of mind. This letters holds a special significance since it is written by someone who was directly responsible for supervising the candidate. Recommendation Letter for Employment Doc. Recommendation Letter for Employment for required A Friend. Usually recommendation letter from friends in professional setups hardly carries any weight.

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This personal recommendation letter is written in creative writing reading response to scholarships no essay, a request by the current company of the candidate. The letter specifies the candidate as supremely qualified because of which he was able to achieve quick promotion within the company. Reading List! The letter ends with a strong note of recommendation for the candidate and with a sense of loss for losing a well qualifies employee. Financial Analyst Recommendation Letter. A recommendation letter acts as a reference and comes from a person who has known the applicant professionally for a period of time.

The recommendation should generally come from senior co-workers and higher management of the company. Apart from the personal affiliation, the a letter for scholarship letters should also include the responsibilities that the applicant served. Employee Recommendation Letter Sample. The employee recommendation letter generally comes from the higher management and seniors of the applicant, who has been responsible for reviewing the work of the applicant. Well, there are things to include and creative reading some things that shouldn’t be included in the letter.

Check the sample for reference. Employment Recommendation Letter from Client. An employment recommendation letter from client, as the title reads, comes from book essays, a client as a recommendation of job/project for the applicant. The letter should ideally showcase the skills of the applicant that makes him suitable for the job/project. List! Sample Letter of Recommendation from Employer. If you are planning to write a recommendation letter for a certain employee of yours, here’s a sample that should guide you on the particulars and idea of content. The sample can also be customized to meet your needs.

A good professional recommendation letter addresses the context of the job and gives an honest description about the candidate in a simple manner. These handy templates work best, when you are short of time and opportunities intend to portray a professional image. If you have any DMCA issues on this post, please contact us!

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In Defense of creative writing reading Modern Family's Writers. On 24 July 2012, the for scholarship, adult cast members of the ABC hit television series Modern Family sued 20th Century Fox in an attempt to re-negotiate their contracts. With the exception of Ed O’Neill, each cast member was receiving about creative reading $65,000 per episode before the analysing marketing opportunities, filing. Yet as they were gearing up for a fourth season, each actor felt he or she was entitled to a bigger piece of the pie. How so? Well, in writing reading list the previous year alone, the series generated a whopping $164 million in advertising revenue, according to The Hollywood Reporter . The deals under which each actor was working at the time were deals made before the series was a hit, and as it just so happened, they were also good through seven seasons. Considering how lucrative the comedy had become (it also sured up a deal with USA after its first season for a license fee of nearly $1.5 million an episode to take it into syndication), Ty Burrell, Julie Bowen, Jesse Tyler Ferguson, Eric Stonestreet and Sofia Vergara felt they deserved a raise.

And while $60 grand might be a lot of money to you or me, they were, by most logical comprehension anyway, correct in feeling that way. So, they took ‘em to court. Hospitality Dissertation? And it worked: Based on an alleged (we don’t want to get sued ourselves now, do we?) violation of state law that stated personal services contracts couldn’t last longer than seven years, their previous deals were void and reading list, each adult cast member’s paycheck per no essay episode was upped to somewhere between $170,000 and $175,000, bonuses included. Part of the new deal was to sign on for an eighth season, however, and should the series make it that far, the plaintiffs are set to take home somewhere in the neighborhood of $350,000 an episode. You could thank the lawyers for this, but I’m not convinced there wasn’t at writing reading list, least one other, more subliminal reason it all worked out in the end. It’s a reason not meant to be noticed. Requirements? It’s a reason hard to creative reading list, decipher at a mere first glance. It’s a reason I’ve seen occur in countless other TV shows, all the way from The Wire to the American version of The Office . And it’s a reason, I should also note, that could be complete and hospitality dissertation, utter bullshit due to creative, my consistently conspiratorial outlook on not only the universe, but more specifically, the entertainment industry. That reason? Modern Family ‘s writers.

Or, more accurately, Elaine Ko, Jeffrey Richman and a letter of application for scholarship, Bill Wrubel—the minds behind “Tableau Vivant”, the second-to-last episode of the writing reading, series’ third season. Its original air date was 16 May 2012, a little more than two months before the actors went ahead and resorted to suing 20th Century Fox Television and book anthem, subsequently winning, from a legal standpoint at creative reading list, least, the no essay, right to re-negotiate their deals. It was their final chance to reading, make their case through the requirements, television screen that year (you never want to mess with a season finale, remember), and it was, at the risk of parsing my words too lightly, completely fucking brilliant. Indulge me here, if you will. For as long as I’ve consumed television, I’ve slanted my perception toward that of whomever is creative writing behind what’s actually being said on screen. I look for hidden meanings. I convince myself I’m connecting dots that only those who are privy to hospitality dissertation, the inner workings of said TV series might know. A sort of wink-and-nod between creators, directors, writers and creative reading, actors. We spectators see it as simple acting, plot points that move the narrative forward in an interesting way. But for those who know what goes on behind the scenes—they can pinpoint what certain dialogue is intended to of application for scholarship, mean within their tiny community of collaborators.

Arrested Development immortalized this practice. The most obvious incident came during its third season (ironic, no?), in an episode named “S.O.B.s”. Creative Writing List? Knowing that the series was about to get the boot from FOX, the episode featured verbal exchanges regarding a potential move to another network (something a ton of people speculated about in real life once they realized FOX was jumping ship). Michael Bluth, painting as obvious a picture as possible, at book anthem essays, one point notes how the Home Builder’s Organization (HBO) wouldn’t want to deal with the family at this point. George then eventually chimes in by saying, “Well I think it’s Showtime,” which no doubt was a clear reference to speculation that the series might indeed land on creative writing list, that particular network once FOX was done with it. A Letter Of Application? The HBO citation, meanwhile, was in creative writing list part due to the fact that the dissertation, Sopranos network, it was said, would never consider touching an already-canceled series. It’s a tiny moment, yes, and creative writing reading list, it’s absolutely meaningless, of course.

But, hey: I get a kick out of it. Anyway, back to Modern Family . “Tableau Vivant” opens as Phil, the aloof, lovable dorky dad of the operation, is fretting late at night over having to fire Mitchell, his brother-in-law, from scholarships, doing some legal work for reading, his real estate agency. The whole thing begins as he says to himself, “I love you very much, but . ”, essentially providing a proper introduction for what’s about to happen. Phil’s wife Claire enters the room, reminding her husband about how her brother’s job at the company was supposed to last only until the summer anyway, and his business should just wait out the duration of her brother’s contract instead of letting him go now. And this is where the fun begins. “He handed in a couple contracts late,” Phil responds. Marketing Essay? “He has a reputation for being lazy, but I didn’t want to say anything because he’s practically doing this for writing reading, free .” Sound familiar?

Mitch’s job in this episode was supposed to only last until summer, when Modern Family breaks between seasons. Dissertation? In real life, one side was (theoretically) addressing contract issues lazily and creative reading, apprehension was felt about actually discussing the issue because one side was “practically doing the work for free.” Am I making something out of nothing or is essay copd nursing this a viable observation? The scene then switches to the episode’s B-plot: Alex, the Dunphys’ middle child, is reading list worried about an essay, upcoming art project during which she has to stage a famous painting with real people. It’s one of the reading, few classes in for scholarship which she doesn’t perform particularly well, so she obsesses over landing a good grade. Creative Writing? It sounds innocent at first, but check this out: “I have one last chance to impress him,” she says of scholarships required her teacher, which may or may not be a nod toward the reading list, series looking to impress its producers. She then holds up a painting before explaining what she chose to re-create, adding, “I chose this one, and I’m using my own family.” Got that? Now have a look at this sentence, taken directly from the show’s Wikipedia page: “Christopher Lloyd and Steven Levitan conceived the series while sharing stories of their own modern families.” Jump to the narrative’s C-story. Of Application For Scholarship? Luke and Manny, the creative list, youngest boys of the bunch, wrestle with morality over marketing essay the fact that Luke is scheduled to receive a medal for putting out a fire at list, school.

Manny, the pragmatic Larry to Luke’s Balki, is the only one to see that Luke actually started the fire, and he goes on to spend the duration of the episode attempting to teach him a lesson about what’s right and anthem essays, what’s wrong. Never mind the reading list, clear “even though you helped get this show off the ground, you probably don’t deserve the bulk of the credit (read: money) that you’re getting, 20th Century Fox” undertone this plot addresses. Instead, I’ll opt for of application, Luke’s revelation that “maybe I should be a professional medal-getter when I grow up,” a possible nod toward the awards Modern Family receives each year. And we can’t forget the D-line, either. Jay and creative writing, Gloria, sitting in a restaurant where a sandwich named after the former exists, has this exchange:

“Give the menu a good, thorough reading,” Jay says to his wife. Copd? “You didn’t even look at it.” Translation: Contract. Proposal. Read it and don’t blow it off. “Most people stop after salt and bacon,” he continues while reflecting on the sandwich made in his honor, “but I doubled down with anchovies.” Translation: The cast was actually looking for $200,000 an episode, even though the studio offered a base of $150,000. It’s not quite “doubling down,” per writing list se.

But you get it. Better yet in anthem essays this sequence is reading list when a waitress notes how Jay is stressed about an upcoming audit, which may or may not be in reference to the studio going through its current slate of for scholarship shows at the end of the spring season, and picking which ones deserve what. “It’s three bad days and it’s over,” he responds. How many days was it between when the suit was filed and when a settlement was reached? That’s right: Three days. I could go and on and on and on like this (seriously; I have four pages of notes on the first 15 minutes alone), but I’ll refrain from boring you with details.

Details such as Claire’s response to Lily as she keeps turning on and off the lights in list her house: “It doesn’t seem that she is redirecting her own energy as much as using a lot of ours.” (Oh, point Modern Family writers!). Details such as Cam and Claire disputing the importance of the hospitality dissertation, word “no”. Creative Writing List? (Obvious). Details such as Mitchell misguidedly bragging that “The more I do, they more they want me. I even turned in a few assignments late so they could fall out of love with me.” (Everyone loves Modern Family ). Details such as Phil explaining how he hates confrontation and hospitality dissertation, once ended up dancing around actually breaking up with a girl so much that he never went through with it, only for us to learn that the girl in creative reading question is his current wife. (The actors didn’t want to be confrontational in their approach to requirements, a new contract). Details such as Manny telling Luke he “knows he’s going to do the creative reading, right thing” (take note, studio), or Jay telling Gloria “it’s about being respectful of what a person’s feeling,” which ultimately leads to him complaining that Gloria can be “too loud” (the same criticism the actors may have received as they made a fuss about their salaries in requirements the press). And then, most curious of all, details such as the bickering family that’s supposed to be posing for a live-action painting to writing, help Alex get her good grade. As the mumbling barbs take flight in each character’s direction around that dinner table—right before everyone puts on a fake mad-smile to take a picture—it’s the most brilliant way to depict what was going on behind the scenes at that moment.

A family, still bound to one another through one way or another, having to continuously put on a smile, no matter how much they might have hated each other at that particular moment. My point is dissertation this: It’s got to list, be so damn hard to book anthem essays, write a television show in the first place. But to do it while soaked in double, triple, even quadruple entendres—and to reading, do it successfully, mind you—is a gift far too often ignored by the general populous, if only nursing, because we rarely even know who these people are. Outside of the rare Louis C.K. or even someone like Mindy Kaling, who both write and act on their own series, we are almost never given an opportunity to creative list, truly celebrate the minds behind the words that are uttered during a lot of the stuff we enjoy consuming on the small screen. Uq Thesis Requirements? It’s not a thankless task, per see—more often than not, it seems, a lot of writers would prefer to be as far away from the camera as possible—but it’s one that too easily gets overlooked in all the hoopla surrounding really great and writing, really interesting television programming. So, kudos to you, Elaine Ko, Jeffrey Richman and scholarships no essay required, Bill Wrubel, for sticking up for creative writing list, your actors.

And actually, kudos to all the for scholarship, Modern Family writers who work to put out the most universally adored sitcom on cable television today. Because without you, Burrell probably wouldn’t be landing lead roles in Muppets movies. Without you, Vergara probably wouldn’t be the ginormous sex symbol she continues to writing reading, be today. Without you, Ferguson’s best-known role might have been as a dentist on Ugly Betty . And most importantly, without you, the scholarships required, actors with whom you work probably wouldn’t have had a leg to stand on when it came to creative writing, negotiating contracts that would inevitably change the analysing opportunities essay, course of writing their professional lives forever. Now, whether that solidarity was actually on display during the no essay required, penultimate episode of Modern Family ‘s third season—or, say, I’m just a nuts-o, simply trying to connect dots that maybe aren’t even there in the first place—well, I guess we’ll never know for writing reading list, sure. Uq Thesis Requirements? Either way, though, it sure does make the exercise of sitting down with a few DVDs of television shows a hell of a lot more fun to do. As long as the rewind button works.

And as long as a show’s writers know how to use it. I think they deserve a raise. The Best Television Shows of 2011. 'Modern Family: Season Two' Primes the Pump for Season Three. Modern Family’s The Kiss: The Fundamental Things Apply. 'Modern Family': A Bubbly, 'Soap'-Style Ensemble. 'Modern Family': Maintaining the creative writing, Fantasy. Network television is copd nursing tuned in to families these days. Quirky 'Modern Family' has the right formula. 'The Sinner' Transcends the Procedural Genre With Complex Narrative and Performances. The Sinner, a sad, stunning exploration of creative trauma, starts with a killer hook and goes deep. . 'Top of the hospitality, Lake': Season Two Showcases a Series That Has Found Its Voice.

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It's No Joke: Why We Need 'Take My Wife' As Seeso shuts down, this excellent series is in need of a new home.